McCandless, David Foley. "A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen." Shakespeare Quarterly 53.4 (Winter 2002): 487-511.
Excerpt: In attempting to give her treatment of Titus Andronicus the shock of the real, Taymor aimed to reawaken spectators to the visceral horror of violence, to rescue them from a benumbed dissociation from violence symptomatic of post-traumatic stress. Having herself been genuinely "shocked" by the play's staging of both trauma and post-traumatic debility, Taymor sought to re-expose her audience to the contagion of trauma, in both her acclaimed but little-seen off-Broadway production (1994) and the high-profile film it spawned (1999).
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