Links
- Airs, Waters, Places
- Alberti's Window
- Beinecke
- Bodleian
- Carnivalesque
- Chirurgeon's Apprentice
- Conversion Narratives
- d i a p s a l m a t a
- Early Modern Intelligencer
- Early Modern Literature
- Early Modern Notes
- Early Stuart Libels
- Everything Early Modern Women
- Folger
- Jacobean Visions
- Jot and Quill
- Magia Posthuma
- Mercurius Politicus
- Newberry
- Pepys' Diary
- Perdita
- Primary Sourcebook
- RenaiBlog
- Res Obscura
- Shakespearean Prompt-Books
- Studia Hermetica
- Theatre Notes
- Three Pipe Problem
- Women Writers Project
- Wynken de Worde
Monday, July 9, 2012
Monday Madwoman: Edith Craig
Edith "Edy" Ailsa Geraldine Craig was the daughter and frequent collaborator of the great Shakespearean actress Ellen Terry (they are pictured together at left). She was a silent film star, a costume designer, an actress, and a theatrical pioneer. She was also a memoirist and museum curator at Smallhythe, her mother's home. For a time, she was involved in publishing and the feminist bookstore and cultural center the International Suffrage Shop.
In 1919, her Pioneer Players performed Susan Glaspell's feminist classic Trifles (1916), and she oversaw two successful performances in October 1925 of The White Divel at the Scala Theater for the Renaissance Theatre Society. The play had not previously been revived since 1682, according to the production notes.
She lived and worked with the artist Clare "Tony" Atwood and Christabel Marshall, later Christopher Marie St. John, for over thirty years, until her death in 1947. (They are pictured together below.) Contemporaries such as Radclyffe Hall and Una Troubridge, Vera Holme, Vita Sackville West, and Virginia Woolf were friends and visitors.
Webster's flaming heroine would have been well served.
Further Resources:
Ellen Terry and Edith Craig Papers
Edith Craig's letters (OAC database)
Edith Craig at the Orlando Project
Katherine Cockin biography
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment